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[ Saturday, January 21 2006 ]

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Do you know what gets my goat?

(Alright, other than Gianluca Vialli, Ainsley Harriot, the fact that I can't seem to take photos on light-overcast days without blowing the sky out, J*r*me B*tt*s, Jim Carrey, the guy in the Cillet Bang advert who keeps fucking shouting at me, the British tabloid press, how shit the last three series of Red Dwarf were, Luton Town Football Club, alcopops, the phrase "agree to disagree", George Lucas, people who can't use apostrophes properly, approximately every new British sitcom since Black Books, Nickelback, how unbelievably slipshod the PC conversions of Madden are, Mel Gibson, slugs, the cancellation of Firefly, James Blunt, how much the movie of High Fidelity missed the fucking point, Starforce, Hillary Duff, getting big pocket-pairs cracked for a fortune when some bozo calls a pre-flop raise then trips-out his poxy kicker, Tom Hanks, New Labour, film adaptations of Alan Moore comics, the WWE, all car adverts but especially the Mazda "Zoom-zoom-zoom" and Seat "Looks like there's more than one out there!" bullshit efforts, mediums and, of course, Bono.)

I'll tell you. Well, in the form of a question.

Who, in the name of all that's sacred, is perpetuating the current vogue for those fucking "Next Week..." montages that crop up at the end of every. Fucking. Drama. On TV?

It makes no sense to me. Who the fuck are these bloody things aimed at? That vast segment of the population who tune in for the last thirty seconds of a show? Look, you arsewitted morons, if I've just sat all the way through an hour of your bloody programme then I obviously LIKE it, alright? And if I like it, then I'm going to be watching next week. Approximately the last thing I want or need is a bloody trailer that in-fucking-evitably makes watching the first half of the next episode completely bloody POINTLESS by giving away the first two plot twists. Sweet zombie Jesus! I'm not a bloody soap-opera fan, for the love of God, I don't need to read the plot of the show in a magazine beforehand so that I'll be able to follow it when it's on. Who's DOING this to us, and how can they be stopped?

Adding a teaser to the end of your otherwise pretty-decent programme (Life On Mars) ought to be punishable by flogging. Adding a teaser in the middle of your programme's credits without giving adequate and fair warning that a teaser's coming up (Doctor Who) should be a hanging offence. But I can't even start to comprehend the sort of twisted inhuman mind it would take to decide to put out a DVD of a series and keep the fucking teasers intact at the end of each and every show (oh yes, Spooks, you know I'm looking in your fucking direction).

There's a special circle of hell reserved for these people, where they'll roast in infernal fires alongside game developers who inflict unskippable cutscenes upon us, cold-call telemarketers who open the conversation by insisting that they're not selling anything and every other fucker whose sole purpose on this earth is to taint our vanishingly small supply of free time and so make our lives just that little bit more unbearable.

Ho hum, as usual.

Soundtrack to today's outburst:
"In this whirlpool
We'll go deeper
In this world that's
Getting cheaper..."


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(c) daniel roe, 2003-5